But Zappa was incredibly vital to me, as a composer and guitarist. Ted has them committed to memory: "Bo Diddley, Ronnie Montrose, Gary Moore, John Sykes, Derek St. Holmes, Eric Johnson, SRV, Joe Perry, Sammy Hagar, Duane Eddy, Dick Dale, Brad Whitford, Steve Vai, Chris Duarte, Angus Young, Johnny Winter, Steve Hunter, Bugs Henderson, Joe Satriani, Richie Blackmore, Steve Morse, Brian Jones, Keith Richards, Mick But this was also the guy who did 87orchestral pieces like The Yellow Shark. The Sex Pistols released just one album Never Mind the Bollocks, Here's the Sex Pistols but it punched a huge hole in everything that was bullshit about rock music, and everything that was going wrong with the world, too. While the music got louder, the paint hurtled around us faster and faster till we ran nauseous from the cafe, chased by infernal screaming lavender, blue and black snakes. Then, years later, I went to the White House (back when Clinton was in office), and Al was there performing. It's the ultimate fuck-off. When we played the Reading and Leeds festivals, we had to follow Slayer, and got bottles of piss thrown at us. Elvis' songs say, "I see you, and I know what you're doing." He was a very personal guitarist; he played with more heart and soul than technique. I'm sure people told them it was too long or had too many movements. They were the best in my neighborhood in Detroit when I was growing up. Creedence was the one I took. He was fun to be around, great to play with as a musician. The words, the melodies and the sentiment are all there, clear and true. went to England in 1985, I drove through Muswell Hill and it certainly wasn't romantic-looking. The day may come, if you're a young rocker, when you'll hear one of Clapton's mellow, contemporary ballads on the radio and think, "What's the big deal?" God knows how many [synths] Ive owned over the years," he told MusicRadar in 2020. It would be phenomenal. The Top Ten 1 Dave Greenfield (The Stranglers) All bands should pay attention to that. Never Mind the Bollocks is the root of everything that goes on at modern-rock radio. But it's "Xxplosive," off 2001, that I got my entire sound from if you listen to the track, it's got a soul beat, but it's done with those heavy Dre drums. You feel a mothership connection. They also came up with the cutting-edge dance routines. Along with the Beatles, they gave those of us entering the business at that time something to aspire to that wasn't pop but was still popular. George Clinton showed me that anything goes: You do what you feel. 1. I think people saw that he was basically just let out of the cage. That East Coast/West Coast feud was just personal beef. upd: well finally decided to add tablets/mouse models as well ;w; . Because of stuff like Pro Tools, they figure they can fix it all in the studio. His playing is both simple and complicated he can communicate with just one or two notes. When I played his songs early on, I used to get really sick of everyone in the crowd yelling "yee-haw" all the way through. You try to play this stuff and you'll see they had chops. And Pink Floyd came to embrace this idea of "We can play stadiums and we can fill them up with giant fucking pig balloons." They're a fucking piece of the mountain coming down behind you, and you can't do anything about it. He's a poet with a punk's heart. They started out in the age of the sensitive singer-songwriter, and their music was as smart and sensitive as anyone's, but when they called upon it, they also had the power of a great rock & roll band. Rolling Stone's Top Ten Keyboard Playersdo you agree? Backstage, Carl was very nervous about coming out with us. I have never seen another man who could make hardened old waitresses at the Palomino Club in Los Angeles shed tears the way he did. It might have been the best purchase I ever made. Carl was that good. When we did a long stand at the Fillmore in the late Nineties, I talked Carl into sitting in with us. Hank lived what would have been a rock star's life full of touring, drinking and woman troubles. "When I was young and full of grace/And spirited, a rattlesnake/When I was young and fever fell/My spirit? At the same time, Mick was listening to what Gram was doing. There was nothing else I could do. We'd try to change every one of our songs to try and capture their drumbeats. Then he gives it to his brother Dave, this teenage maniac, who turns it into a demented guitar part. I grabbed their amps, they grabbed ours. Joni Mitchell is a bigger icon than she is a star. After I released my first solo album, I was doing a TV special in Memphis, and I called him and asked if he'd grace us with his presence. The title song of Sabbath Bloody Sabbath has all of the stuff I'm talking about: It's rebellious and dark and wicked, but it's also gorgeous. It wasn't heavy metal. ", Tom is a great and loyal friend, but he's also honest like that. They're never going to tell me, "Play it more like Jerry" or "less like Jerry." Don't be influenced by anything. Add to that Ozzy's amazing voice and one of the greatest rock guitarists of all time, Tony Iommi, and it's an unstoppable force. It's a myth that these guys couldn't play their instruments. Al Green has helped overpopulate the world. Chuck Leavell has been pleasing the ears of music fans for more than 40 years now. In my lifetime, Jay-Z has, by far, been the most artful and exciting musician to consistently make hits, and I mean real hits Top 10 singles deep into his career, like "Empire State of Mind." You can always tell when you're hearing Tupac verse. They bucked the system and encouraged their fans to do the same: to be free thinkers. When you're in a band and you find something that breaks every rule, it gives you creative hope. So whenever I had to do a solo, I would just play that. He invented his world and gave it life. It's not that they're indifferent it's that the strength of character in their music is beyond their control. Santana has a really good message to send to the human spirit. There's just no escaping them. He's pretty much a recluse. Hearing Al as a kid made me want to become a singer and showed me that it was OK to have a softer, more falsetto voice. The Eagles provided the soundtrack to so many of my summers, and likely many of yours, too. He told me it was because Tupac was so much smarter than everyone around him. Keith Emerson (ELP) 2. He puts it to the test over and over and wins. I think I was at a girl's house. But I still gave him a look like he was bugging. Trent's music, built as it is on the history of industrial and mechanical sound experiments, contains a beauty that attracts and repels in equal measure: Nietzsche's "God is dead" to a nightclubbing beat. Herbie Hancock has pretty much done it all. Everything about the songs was great, even the intros every one of them had a distinctive, memorable intro, which was a hook in and of itself. Her influence on me is so obvious. The way he would squeeze out a note can't be trained and can't be imitated. As a companion piece to Baudelaire's "To the Reader" the preface to his Flowers of Evil and second to the Velvet Underground, there has never been better soul-lashing in rock. My parents had basically nine vinyl albums, all greatest hits: the Beatles' red/blue albums, Carpenters, Neil Diamond, Elton John, the Beach Boys' Endless Summer, Jim Croce, Gordon Lightfoot and Creedence Gold. People are listening. They weren't concerned with clothes or looks or hit singles. Think about how on old N.W.A records the beat would change four or five times in a single song. Every instrument had its role to play, and it was all prefigured. But what makes him such an inspiration is the raw passion, the sincerity and the joy he brings to his music. I really related to that, because I never had a big, boisterous, American Idol showstopping voice. As he said this, strands, splodges and blots from a Pollock early-Fifties "drip" painting materialized in front of our faces. The essays on these top 100 artists are by their peers: singers, producers and musicians. and the soul numbers ("Long As I Can See the Light"). They sounded fantastic. I see more and more people getting into his music today. Should Behringer release the Behremin, its $99 Theremin interpretation, or should it keep its hands off? From his records, it sounded like he was projecting from a completely different place in his body. That man was the natural stuff. Steve Jones is one of the best guitarists of all time, as far as I'm concerned he taught me how a Gibson should sound. She describes smells and sounds and uses fewer words to transmit more feeling. Billy Preston 8. With musicians, " motherfucker" was the love word. 100 Keyboard Classics - uDiscover Music I wrote a song about him I've never recorded, but I will someday. With Frank, his musicians were pushed to the absolute brink. I feel like they saw Brian Eno, their producer, as another instrument. Matter of fact, the first time I met him, I started tapping my feet as he was talking. His background was in classical music; he looks at the bass guitar as a piece of the orchestra, like a low-pitch brass instrument. His songs about women and girls are devastating, like arrows to the heart. But he would also work very hard harder than I ever did on honing it down. Excitement would still not have peace. That warmth and wit came through in his music. That integration was a sign of things to come. We wrote songs for the Drifters, but we also put the call out to all the best songwriters in our world. It was recorded after he was shot and spent time in prison. You don't have to emulate them, but thanks to them, you can take it anywhere. He just made that one fatal mistake taking that one hit after he cleaned up, still thinking he could take the same amount. I first met Gram in 1968, when the Byrds were appearing in London I think it was a club called Blazes. They didn't play funk, but everything they played was funky. Whether it was Ruffin or Dennis Edwards or Eddie Kendricks or Paul Williams singing lead, the Tempts were always an all-star vocal band. It was around 3:00 or 4:00 in the morning. They had an amazing ability to change between records. But his effect on country music is enormous. Iggy believed what he was doing was important this self-reliant, anti-establishment art form. Vol. The MGs made a name for themselves with all those great instrumentals, like "Green Onions," but they were the house band at Stax/Volt, so they had real adaptive ability. There were songwriter-producers before him, but no one did the whole thing like Phil. The 30 greatest synth players of all time: keyboard wizards, programming gurus and sound design legends By Scot Solida ( Computer Music, Future Music, emusician, Keyboard Magazine ) last updated 30 October 2020 Your votes have been counted, so who came out on top? When Sabbath wanted to convey a different message, they didn't need to pick up an acoustic guitar or call in the London Philharmonic. The Stooges' sound was so evocative yet so simple. I first saw Clapton with Cream, at the Cafe Au Go Go in New York in 1967 sort of. And now we realize that they're true masterpieces. Formula 1 driver Charles Leclerc reveals his love of the piano and shows you how he recorded his first track in Ableton Live, How a song written in 1974 turned up on Bowie's Let's Dance and unwittingly kicked off a controversy. these are the Absolute Greatest Keyboard Players who ever walked on this earth: Michael Omartian Chick Corea Michael Ruff Mike Lindup (Level 42) David Foster . Listening to Radiohead makes me feel like I'm a Salieri to their Mozart. . Turning 14 years old is already a heavy combination of things. Following exhaustive searches to find the greatest pre-80s, 80s/90s and 21st-century keyboard players, we narrowed down our field of GOATs to just 15, and asked you to vote for the one true greatest of all time. In making The Downward Spiral, he encouraged the computer to misconstrue input, willed it to spew out bloated, misshapen shards of sound that pierced and lacerated the listener. Where it comes from, I don't know. It hits you in waves: driving rhythms with brass and strings countered by down-in-the-alley funk. What else was there? You had all those personalities, and they were all truly playing together. If you listen to a Talking Heads bass line, you think the song's going one way, and then you listen to the drums and you think it's going a different way, and then you listen to David Byrne's lyrics and you're like, "This is a completely different song from what I thought it was going to be." Ambrosia How Much I Feel. In the end, nobody described George Clinton's music better than the man himself: It is "Cosmic Slop," it is funkadelic funky and psychedelic. And they weren't. They could take those great songs and give them sound. Chuck Leavell People look at Ross and say she had great songs, she was a good-looking girl, behind her she had Berry Gordy who, in my book, is the greatest record man who ever lived she had all these things. Tupac's aggressive records are my favorite. He said he didn't like the way Tupac behaved because he knew that Tupac knew better. The next thing we knew we were on the road with these guys, opening up for them and Quicksilver Messenger Service, and witnessing music history. You can think that it's all been written, but it hasn't. Listen to the guitar break in "All My Loving": George Harrison told me that the Beatles would study the B sides of Carl's records to learn everything they could from him. His melodies weave in and out and all over the place, and you can tell they just spring out of him. Tupac was like a camera. The Police matured really quickly. That's the kind of guy I like to hang with. We used to have these Blue Mondays in Chicago that would start at seven o'clock in the morning. In those days, musically, Clapton was a total wild man. To this day, I believe that her voice could work on contemporary radio. The song was basically their blueprint. History Lesson: The Rolling Stones' Keyboard Players - irocku List of Top Female Keyboard Players - Ranker I had a tape of Eazy-E's Eazy-Duz-It when I was 11 years old (until my mother found out it had curses on it and confiscated it). He later took the voice of activism, calling out diseases of urban America and challenging people to see what was going on, a plea Marvin Gaye would take up, too. We got to go back and do some digging. I was 11 when I first heard Sabbath. That was actually a break Al played on Otis Redding's "Try a Little Tenderness." In both songs, I had the horn section play the guitar solos, note for note. "Sweet Home Alabama" sounds like seasoned studio musicians twice their age. And he would ball that fist up. The singer was just one tile in this intaglio. It was like they were weaving a beautiful piece of cloth. When I was growing up in the 1970s, Pink Floyd were ever-present. If you played something that made him smile, he would look back at you with that smile. fan meant being part of a tiny community. Thanks to a great arrangement by Stan Applebaum, the song showed us how rock & roll and strings could really work together. The audience's reaction to those classics cemented their value in my head. The winner of our '80s poll hasn't managed to repeat the trick in our final GOAT face-off, but that shouldn't diminish his talents or achievements one iota. Iggy wanted the Stooges to be what he'd seen in Chicago as a young guy these old bluesmen playing so hard that, as Iggy once said, the music drips off you. And anyone who sings needs to be exposed to Steven Tyler. He's got some serious babymaking music. I have experienced the thrill of collaborating with him numerous times as we have invited each other into our respective albums. Of course, the Police were amazing musicians. Holland, Dozier and Holland were amazing songwriters, just pure melody men. Jerry is still one of the few guitarists where as soon as you hear him, you know instantly who it is. In a way, that upheaval may be part of the reason they recorded so many immortal songs over such a long period. It's like asking a Christian if he believes Christ died for his sins. And he used to put on such a show. Gram and I both loved the songs of Felice and Boudleaux Bryant the Everly Brothers stuff they wrote. Then I went up to Chicago September 25th, 1957. There is a great air of sadness in those songs. I loved them because they reminded me of cartoons, but they were crazy and psychedelic, and the superheroes were black men. Bob Dylan and Keith Richards became so famous that they're stars and icons. She had such a strong sexuality, but she didn't feel the need to deny that part of her in order to be taken seriously. The only radio station we could get was a scratchy AM station from who knows where. I went backstage, and we hooked up. And Ad-Rock is just full of life. But if it were only that, I wouldn't go back and listen to those records again and again. He was never short of a song. He hit the drums harder than anyone I've ever seen, with the possible exception of Keith Moon. I understood what he meant. "I dont think I could even hazard a guess. The records have their own vibe performance-based, few overdubs, like if some Memphis/Booker T.-type band moved West and got a youth-culture injection. Al had a little jazz flavor along with those R&B grooves. Lou Reed, myself and a friend known as Warren Peace were having dinner in one of those old-style Greenwich Village places where Pollock was supposed to have fought other painters. And, no, no one ever calls him Mickey. They opened up for us in 1988, and one of the things that impressed me was how much personality they put across, even when they weren't playing. In the Name of Love," "I Hear a Symphony" at the time, people thought those songs were disposable. They certainly hadn't planned to perform. He tells stories in such a powerful and distinctive way. He had a tone and a style that were uniquely his. Rocking so hard to the brutal beat of Metallica for those couple of hours, in a way, is as healthy as any spiritual exercise group meditation, any love-in, anything. It can take you down a quiet street before it drops a beautiful musical bomb on you. He asked me to produce a track for the Game. He was sweating it looked like glitter sweat and he had a chipped tooth. If Talking Heads were around a cool idea, they would make it their own. I had never seen or heard anything like it before. We used Brian May amps and wrote songs with different movements. But it was organic with Carl. Thank you, Creedence, for being popular and timeless enough to be on CD jukeboxes. In 1972, the radio was logjammed with progressive rock like you wouldn't believe Yes, Pink Floyd, Genesis I was searching for a great three-chord band to produce. He seemed destined for such greatness, and yet his life ended up playing itself out like some cheap B-grade film noir. Guns n' Roses revived our kind of rock. And for it to do what it has done is truly mind-blowing. When I first heard them, I was 14 or 15 and into a lot of heavy-metal and hard-rock music. Their music could just always hold that. Obviously, he had great musicians on those albums: Bootsy Collins on the bass; Bernie Worrell, the best keyboard player I've ever heard. By the time Lifes Rich Pageant was gracing the yellow Sony Sports boomboxes of the world, R.E.M. In Jane's Addiction, we were into a groove that was very repetitive, riff-oriented and hypnotic similar in a lot of ways to a song like "War Pigs," off of Paranoid (my favorite Sabbath album). "Not having a bass player made me play more . The band fell into place, and people in the audience just fell over. Run-DMC gave "Slow and Low" to the Beastie Boys. Then I go from James' bass-baritone to tenor singing with the Everly Brothers first Don, later Phil. Clapton absorbed that, then introduced the essence of black electric blues: the power and vocabulary of Buddy Guy, Hubert Sumlin and the three Kings B.B., Albert and Freddie to create an attack that defined the fundamentals of rock & roll lead guitar. When they said Jimmy Iovine, I got Jimmy, because I wanted my solo work to be as much like Tom's as possible. Motown took care of the North with their polished sound, but the MGs were gritty and raw, and they could really groove. Jon Lord (Deep Purple) 4. The current collection has been trimmed down a bit. At the end of each term we would have a show, and this time we had Cream in a small hall where I had once played Happy Loman in Death of a Salesman, which is beside the point. Slash plays what's needed for the song, as opposed to trying to make the tune a showcase for his technique. (en) Top 10 Rock Drummers - Keeping the beat with the - Guitars Exchange When R.E.M. But all the guys were very, very close. I had a strange dream a few years back. A wayward fugitive, stumbling through the door of some Provenal cafe, his hat and coat soaking wet from the journey. Chuck Leavell, legendary keyboardist for The Rolling Stones, The Allman Bros, Eric Clapton, John Mayer, and more. Jerry Lee Lewis 2. Whether playing sessions for David Bowie and Elton John, releasing a string of frankly ridiculous concept albums (he even performed one of them on ice) or playing in multiple iterations of prog titans Yes, Wakeman has always excelled, embracing all the new synth technology that's come his way. I am amazed at how great the Kinks' records sounded even though, when you listen closely, there is very little going on in them. But they had 8-tracks. England and Wales company registration number 2008885. As a kid, I used to sit at home after school and just bang out those songs on the piano. His singing and keyboard playing had a dark richness, a soulfulness that added one more color to the Allmans' rainbow. When I was just starting to learn how to play guitar, Aerosmith gave me the shove I needed. We'd play cards and shoot pool together into the early hours. He once told me, "Tom, I like you so much if I lived by you, I'd cut your grass." List of famous female keyboard players, listed by their level of prominence with photos when available. I loved the way Tom's Florida swamp-dog voice sounded in cahoots with Mike Campbell's guitar and Benmont Tench's keyboards. It sounds like a clich now, that rock music was born out of cornfields and honky- tonks, but with Carl it was all true. We all know that she faced some rough times in her life. Part of the thrill was wondering what he was going to do next. He had everything you wanted to see. Carl was the real deal a true rockabilly cat. Robert Fripp. All of us are lucky to have heard songs as good as "Message in a Bottle," "Walking on the Moon" and "King of Pain" on the radio. Raw Power was made by a different lineup, with James Williamson on guitar and Ron on bass. They learned from the blues, and they continued to interpret the form in their own manner. Richard Wright 4. It can build to where you think the whole thing will crumble beneath its own weight and then Thom Yorke will sing some melody that just cuts your heart out of your chest. I first heard R.E.M. A lot of the magic in the Dead's music came from Phil and Jerry learning how to play together, combining Phil's approach with Jerry's unique blend of influences. In 2011, our very own Keyboard Magazine called him a "keyboard hero for a new generation," and his reputation is such that guitarists such as Slash, Yngwie Marmsteen, Steve Lukather, Joe Bonamassa and Zakk Wylde have all wanted to work with him. As you read this book, remember: This is what we have to live up to. It is clear that the gift he gave lives on in that band's music. I never would have thought of doing that if I hadn't seen Zappa do "Stairway to Heaven" in Burlington with the horns playing Jimmy Page's entire guitar solo, in harmony. However inscrutable Michael Stipe's lyrics were, they always gave language to this weird, agonizing metamorphosis taking place in my head. But while the band could duplicate the majesty of past live shows (and still can), the heart and soul of the band was gone forever. Guns n' Roses' music wasn't full of the overblown gymnastics that a lot of guys were doing then their stuff is just very tasty.

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